比利时&卢森堡 奇亚斯玛二重奏 | Duo Kiasma, Belgium and Luxembourg
2025年6月18日至6月30日
皮埃尔·冯特奈尔，大提琴 Pierre Fontenelle, cello
弗林·沃尔特，手风琴 Frin Wolter, accordion
奇亚斯玛二重奏
奇亚斯玛二重奏由大提琴家皮埃尔·冯特奈尔与手风琴家弗林·沃尔特组成，他俩将各自乐器的音色融为一体，大胆跨界各类音乐风格，其曲风因而难被界定。这两位年轻的炫技高手凭借其创造力、自发精神与现代理念向众人展示了他们所认同的、身为21世纪音乐家应有的风貌。
该组合前身为皮埃尔·冯特奈尔与手风琴家克里斯蒂安·佩尔西翁于2016年组建的、常年在比利时、法国、卢森堡演出的“比利时制造”二重奏。彼时，两位音乐家多次受邀参加各大音乐节，如：比利时瓦隆音乐节、法国欧帕尔手风琴音乐节、比利时圣休伯特皇家朱丽叶音乐节、比利时Musicorum音乐节等；此外，他俩还曾登台比利时伊丽莎白女王音乐教堂、比利时列日爱乐厅等著名场馆。2018年12月，该二重奏参加了在比利时皇家铸币局剧院和伊丽莎白女王音乐教堂举办的圣诞汇演，此系列活动的高潮是在比利时皇宫内为皇室成员上演传统的圣诞音乐会。2019年夏，二人曾赴上海巡演。
2019年9月，克里斯蒂安·佩尔西翁离开比利时去开启新生活。在6个月的“空档期”之后，卢森堡手风琴家弗林·沃尔特加入，他与皮埃尔·冯特奈尔携手，重新构想二重奏的蓝图，而这一次，他俩取名“奇亚斯玛二重奏”。
2017年4月，此组合在第六届法国“欧帕尔手风琴”国际手风琴比赛中荣获室内乐组别一等奖。皮埃尔和弗林二人斩获多项国际大奖的同时，各自也在独奏表演与教学事业上有所发展。这两位音乐家追溯文化源头并从中汲取养分，其音乐会曲目大胆结合古典与当代风格，此外还注入了“流行”风格的音乐编曲以及“杂烩”元素。“古典”与“流行”拼置于一处，曲风界限不再明晰，这也是对音乐分门别类做法的质问。奇亚斯玛二重奏意识到当代音乐之根本重要性并热切企盼与作曲家合作，他们希望能委约匹配其技艺的新作，并愿鼓励作曲家们探索“大提琴-手风琴”这一全新的二重奏声响世界。
人人享其乐
奇亚斯玛二重奏坚信文化具有团结大众的力量，也相信音乐是普世皆知的语言，因而他们将“人人享其乐”定为自身使命。大提琴与手风琴的结合可谓优势明显：技巧上的阻碍极少，且各类场所——从充满亲密氛围的厅堂到更普通的音乐厅、从学校到极少排演古典音乐的音乐节——均适合演奏。皮埃尔和弗林还将音乐送至监狱、医院、养老院等处，热心为那些隔离在文化生活之外的人们演奏。此组合还积极联袂博物馆和艺术展，共同策划量身打造的特别活动。
曲风多样化
奇亚斯玛二重奏因其丰富多样的曲目满足了所有观众的期许——不论他们是古典乐迷还是其他乐迷——同时也令他们感知到各类音乐中的“新鲜味儿”。这两位音乐家追溯各自渊源并从中汲取养分，其音乐会曲目大胆结合古典与当代风格，此外还注入了所谓的“流行”音乐编曲以及“杂烩”元素。“古典”与“流行”拼置于一处，曲风界限不再明晰，这也是对音乐分门别类做法的质问。奇亚斯玛二重奏意识到当代音乐之根本重要性并热切企盼与作曲家合作，他们希望能委约匹配其技艺的新作，并愿鼓励作曲家们探索“大提琴-手风琴”这一全新的二重奏声响世界。
重观众情谊
奇亚斯玛二重奏最为重视的是与观众结成纽带，以便更好的分享情感。两位音乐家坚信，只有在轻松友好的氛围中才能收获难忘的夜晚和最感动人心的时刻，而与公众的交流沟通是关键所在。
Duo Kiasma
Together, Pierre Fontenelle and Frin Wolter form the Duo Kiasma, boldly traveling across different stylistic horizons by combining the sounds of their respective instruments, the cello and the accordion, in an unclassifiable repertoire. Through their creativity, spontaneity and modernity, these two young virtuosos share their personal vision of the role of the musician in the 21st century.
Originally born out of the meeting between Pierre Fontenelle and accordionist Cristian Perciun as the Duo Made in Belgium in 2016, the duo regularly plays in Belgium, France and Luxembourg and has been programmed in festivals such as les Festivals de Wallonie, le Festival Accordé'Opale, Le Royal Juillet Musical de Saint-Hubert, or the Musicorum Festival and has performed in prestigious Belgian venues such as the Queen Elisabeth Music Chapel and the Philharmonie de Liège. In December 2018, the Duo participated in the Christmas Concerts of la Monnaie and of the Queen Elisabeth Music Chapel, the project culminating with the traditional Christmas Concert at the Royal Palace for the Belgian Royal Family. In summer 2019, they performed in Taiwan and in Shanghai and are set to return to Taiwan in summer 2021.
In September 2019, Cristian Perciun left Belgium for a new life. After six months of hiatus, the Luxembourgish accordionist Frin Wolter joined Pierre Fontenelle in reimagining a future for the duo, the Duo Kiasma.
In April 2017, the Duo received a First Prize at the 6th International Accordion Competition Accordé'Opale (France) in Chamber Music. Pierre and Frin, prizewinners in numerous international competitions, simultaneously pursue careers as soloists and teachers.
In concert, the two musicians draw on their cultural roots to put together a program that daringly combines classical and contemporary music alongside arrangements and medleys of so-called “popular” music. This juxtaposition between the "classical" and "popular" worlds blurs the boundaries between the genres, calling into question the relevance of musical categorization. Aware of the fundamental importance of contemporary music and enthusiastic about the idea of collaborating with composers, the duo wishes to commission new pieces for their training and encourages these composers to venture into a new sound universe, that of the cello-accordion duo.
Music for all
The Duo Kiasma, convinced of the unifying power of culture and the universal language of music, has set itself the task of reaching out to everyone. The combination of the cello and the accordion offers the advantage of being very little limited by technical constraints and allows the duo to perform everywhere, from the intimate halls and the more usual concert halls to schools, and festivals where classical music is rarely programmed. Eager to offer their music to all those who are generally excluded from cultural life, Pierre and Frin go to places such as prisons, hospitals, retirement homes... The duo also enjoys developing tailor-made concepts in collaboration with museums and art exhibitions for special occasions.
Diversity
Thanks to the diversity of its repertoire, the duo is able to meet the expectations of all audiences (classical or otherwise) while making them discover new facets of music, of all kinds. In concert, the two musicians draw on their respective roots to put together a program that daringly combines classical and contemporary music with their arrangements and medleys of so-called “popular” music. This juxtaposition blurs the boundaries between the "classical" and "popular" worlds, calling into question the relevance of musical categorization. Aware of the fundamental importance of contemporary music and enthusiastic about the idea of collaborating with composers, the duo wishes to commission new pieces for their training and encourages these composers to venture into a new sound universe, that of the cello accordion duo.
Friendliness
The Duo Kiasma wants above all to be close to its audience, to better share their emotions with them. The two musicians are convinced that unforgettable evenings and the most moving moments are only obtained with a relaxed atmosphere. Communication with the public is essential.
弗林·沃尔特
1994年出生，长驻卢森堡的手风琴家，活跃于比利时、法国和德国乐坛，目前与各类音乐家、作曲家、乐团、艺术家团体合作。其大力倡导当代音乐和20世纪手风琴音乐精品，与作曲家们紧密共事，同时鼓励他们为其乐器谱写新曲。他对巴洛克音乐亦怀有同样热情，曾亲自将许多巴洛克作品采谱并改编成多种风格和形式。弗林·沃尔特有别于同代其他手风琴家，是因为他参与涵括所有音乐风格、艺术门类和文化背景的跨界项目，打破人们对手风琴的刻板认知，并超脱古典音乐的标准范式。
弗林·沃尔特8岁开始学习手风琴，其求学之路从卢森堡城市音乐学院开始、到法国里尔高等音乐与舞蹈学院（师从文森特·莱尔梅特）、再到芬兰赫尔辛基艺术大学西贝柳斯音乐学院（师从马蒂·兰塔宁、韦力·库亚拉、赫尔卡·奎玛莱宁），最终于2021年在芬兰完成了手风琴演奏和教育的学士学位以及硕士学位的学业。
弗林·沃尔特还得益于众多大师的指教，如：文森特·佩拉尼、马蒂·兰塔宁、文森特·莱尔梅特、米卡·韦里宁、特奥多罗·安泽洛蒂、苏珊娜·库亚拉、盖尔·德拉格斯沃尔、斯蒂芬·哈松、雅内·拉提亚、希尔韦恩·提索特、克勒门·勒本、米耶·米基、黑蒂·罗苏雅尔维、弗拉基米尔·布拉戈耶维克。
艺术生涯
2019年起，弗林·沃尔特成为卢森堡卢西林联合乐器当代音乐重奏团终生聘用的乐手。他还活跃于众多室内乐团，如：奇亚斯玛二重奏、卢森堡手风琴三重奏、芬兰WAS+三重奏。他曾受邀与卢森堡及周边国家各大乐团合作，其中包括：法国梅斯国立交响乐团、卢森堡室内交响乐团、卢森堡欧洲独奏家乐团、卢森堡室内乐团、芬兰NYKY当代音乐重奏团等。此外，他还定期与卢森堡科普拉·邦兹剧团、卢森堡EME基金会、以及达多福尼克艺术家团队策划教育和社会项目，并亲自参与其中。
弗林·沃尔特自2021年起活跃于各文化机构，如：卢森堡爱乐乐团、法国梅斯音乐之城乐团、法国巴黎喜歌剧院、卢森堡市立剧院、卢森堡沃邦别墅博物馆、卢森堡KuFa文化中心。他定期受邀参加了众多音乐节，其中包括：2023年卢森堡雨天音乐节、2023年芬兰奥卢十月音乐节、2022年荷兰十一月音乐节、2022年卢森堡埃施“欧洲文化之都”音乐节、2024年卢森堡小马尼歇尔音乐节、卢森堡施泰因福特“夏季之梦”音乐节、比利时布鲁塞尔大街艺术节、法国里尔“歌剧遗产日”、芬兰科科拉国际手风琴音乐节等。
作为高水平独奏家，弗林·沃尔特曾与多个室内乐团和交响乐团同台演出。他作为独奏与乐团合作过的手风琴协奏曲有：奥利斯·萨利宁的《巴拉巴斯变奏曲》、杰奎琳·方廷的《东风》、阿斯托尔·皮亚佐拉的《阿空加瓜》等。他还定期参演当代歌剧，如：法国普罗旺斯-艾克斯歌剧节的《沉睡的千人》（亚当·毛尔和尤那坦·勒维创作）、《大洪水》（弗朗西斯科·菲利迪创作）、以及《希伯伦之声》（克里斯蒂安·卡雷拉创作）。
作为大型乐团的乐手，弗林·沃尔特曾与埃琳娜·施瓦茨、朱利安·勒罗伊、莱昂哈德·加姆斯、曼努埃尔·纳里、大卫·雷兰、阿瑟·费根、皮特·布罗修斯等指挥同台。
所获奖项和荣誉
18岁那年，弗林·沃尔特即赢得卢森堡"手风琴艺术"大赛——这是他首次赢得国家级奖项，此外还揽获2012年文化部推广奖；之后2014年在法国贝尔克“Accordéopale”国际手风琴比赛中荣获二等奖；2017年在各乐器参赛的“安妮和弗朗索瓦丝·格罗本”大奖赛中获颁决赛选手奖。
个人兴趣爱好
除了个人的手风琴演奏事业，弗林·沃尔特还对音频技术和声音剪辑感兴趣，也热爱戏剧和舞蹈。他还酷爱烘培、厨艺和木雕。
所获资助和艺术支持
2014年，弗林·沃尔特获卢森堡Focuna文化基金资助。2018年，他受邀赴法国维勒克罗兹国际音乐学院受训，并自那时起作为青年人才受惠于该学院的支持，而且2022年至今，他一直被纳入卢森堡文化部对间歇性艺术工作者的扶持计划。
Frin Wolter
(b. 1994), is an accordionist based in Luxembourg, mostly active in Belgium, France and Germany, where he is currently cooperating with a diversity of musicians, composers, ensembles and artistic collectives. As a strong advocate for contemporary music and connoisseur of the 20th century accordion repertoire, he encourages the creation of new works for his instrument in close collaboration with composers. He equally shares great passion for baroque music and is himself the author of a great number of arrangements and transcriptions in various styles and formations. Frin Wolter distinguishes himself from other accordionists of his generation through his ability to break through the stereotypes of the accordion and to go beyond the barriers of a standardised classical music scene, by joining multidisciplinary projects that include all kinds of genres, artistic disciplines and cultural backgrounds.
Picking up the accordion at the age of 8, his academic pathway led him through the Conservatoire de la Ville de Luxembourg (LU), the ESMD in Lille (FR) in the class of Vincent Lhermet and the University of the Arts, Sibelius Academy in Helsinki (FI), where he completed a bachelors and masters degree in accordion performance and pedagogy with Matti Rantanen, Veli Kujala, and Helka Kymäläinen in 2021.
Besides, Frin has benefited from the guidance of numerous personalities such as Vincent Peirani, Matti Rantanen, Vincent Lhermet, Mika Väyrynen, Teodoro Anzellotti, Susanne Kujala, Geir Draugsvull, Stefan Hussong, Janne Rättyä, Silvain Tissot, Klemen Leben, Mie Miki, Heidi Luosujärvi and Vladimir Blagojevic.
Artistic career
Since 2019, he is a permanent member of the Luxembourg based Contemporary music Ensemble United Instruments of Lucilin. He is active in numerous chamber music formations such as the Duo Kiasma, the Trio Accord (LU), and his Trio WAS+ (FI). He has been invited to various ensembles around Luxembourg, including the Orchestre National de Metz, Orchestre de Chambre du Luxembourg, les solistes européens, Kammerata Luxembourg and NYKY contemporary music ensemble (Fi). He is regularly conceiving and participating in pedagogical and social projects with the Koplabunz Cie, Fondation EME and Dadophonic collective.
Since 2021 he is active in cultural institutions such as the Philharmonie du Luxembourg, Cité Musicale de Metz, Opéra comique de Paris, Les Théâtres de la VDL, Villa Vauban and KuFa. He has been regularly invited to numerous festivals including the Rainy Days 2023 (LU), Lokakuu Festival Oulu 2023 (FI), NovemberMusic 2022 (NL), Esch22 (LU), DKMF 2024 (LU), Summerdream Steinfort festival (LU), Bruxelles Street art festival (BE), the "Journées du Patrimoine de l'Opera” in Lille, and the International Accordion Festival in Kokkola (FI).
His experience as a high-level soloist allows him to perform in various chamber music ensembles as well as orchestras. He has performed works as a soloist with Orchestra on numerous occasions, such as A. Sallinen's (FI) Concerto for accordion “Barabas Variations”, Jacqueline Fontyn's Accordion Concerto "Vent d'Est", and Astor Piazzolla's Concerto "Aconcagua". Regularly he is part of contemporary opera productions such as « The Sleeping Thousand » by Adam Maor and Yonatan Levy at the Aix-en-Provence opera festival (FR), "l'Inondation" by Francesco Filidei, ou encore "La voix d'Hébron" by Cristian Carrera.
As an instrumentalist in larger ensembles, he has performed with conductors such as Elena Schwarz, Julien Leroy, Leonhard Garms, Manuel Nawri, David Reiland, Arthur Faegan and Pit Brosius.
Awards and distinctions
At the age of 18 he is the winner of the Luxembourgish "Accart" Competition, winning the first national prize and the promotion prize of the Ministry of Culture (2012) and later the international "Accordéopale" competition in Berck-sur-Mer, where he won the 2nd prize (2014), France. He has been awarded with the finalist prize at the all-instruments competition Prix Anne and Françoise Groben (2017).
Personal Interests
Besides his accordionist career, Frin is interested in audio technology and sound editing, theater and dance. He is also a passionate hobby baker, cook and wood sculptor.
Grants and artistic support
In 2014, he received a financial grant from the Cultural Fund Focuna. In 2018, Frin was invited to the international music academy of Villecroze (France) and is since then benefiting from their artistic support for young talents. Since 2022 he benefits from the statute of intermittent artist workers by the ministry of culture of Luxembourg.
皮埃尔·冯特奈尔
“毫无疑义，皮埃尔·冯特奈尔和伟大人物如出一辙——他们不会让任何东西阻挡前途，也从不会小看他人的才华、出身背景或音乐上的观点。”
——比利时Musiq’3音乐电台
美籍比利时青年大提琴家皮埃尔·冯特奈尔是比利时古典乐坛冉冉升起的新星，他因大胆的策划、多方面才华、以及极高的音乐灵性而被人所知。
他曾在比利时瓦隆大区列日皇家歌剧院担任大提琴独奏直至2022年，还登上过比利时国内外著名场馆和音乐节的舞台，其中包括：比利时弗拉吉文化中心、比利时伊丽莎白女王音乐教堂、法国塞纳河音乐中心、台北两厅院、上海东方艺术中心、比利时瓦隆音乐节等。作为独奏，他还受邀与众多乐团合作，其中包括：比利时列日皇家爱乐乐团、比利时布鲁塞尔爱乐乐团、法国热情室内乐团、卢森堡军乐团、比利时卡斯寇·菲尔室内乐团、比利时新音乐团等。
2022年，皮埃尔·冯特奈尔在比利时勃鲁盖尔音乐比赛中夺魁，同时赢得公众大奖和最佳演绎奖。2020年10月，他在比利时大提琴协会举办的首届国际比赛中赢得第二名“范海克”奖。2019年，他还在比利时“埃德蒙德·巴尔特”国际比赛中夺得第一以及“费尔德布什”奖。
皮埃尔·冯特奈尔在2024/2025乐季的亮点活动包括：独奏专辑《根》于2025年1月由比利时Cypres厂牌发行，意在向美国当代音乐致敬；还会上演舒曼、海顿、柴可夫斯基、古尔达的大提琴协奏曲、以及担纲比利时作曲家阿波林·叶苏普热特和法国作曲家让-弗朗索斯·荣格创作的两部新协奏曲的首演者；此外他还与钢琴家妮农·汉内卡特-瑟加尔一道成为法国巴黎格兰奇-弗瑞特图书馆的入驻艺术家。
皮埃尔·冯特奈尔于2019至2022年间在比利时瓦隆大区列日皇家歌剧院担任大提琴独奏，成为该乐团聘任的最年轻的全职音乐家。他还曾在法国阿基坦大区波尔多国立交响乐团、比利时列日皇家爱乐乐团、以及比利时国家交响乐担任客座大提琴首席。他曾与众多艺术家合作，如：朱迪·德沃斯、盖尔盖利·马达拉斯、克里斯托夫·鲁塞、菲利普·格拉芬、让-克洛德·范登·艾登、格温多兰·布隆迪尔、马蒂厄·赫尔佐格。皮埃尔·冯特奈尔除了致力于成为古典乐以及其他各类音乐的全才之外，还自己作曲，并与他的手风琴搭档、法国“Accordé‘Opale”国际手风琴比赛一等奖获得者弗林·沃尔特共同组建奇亚斯玛二重奏，孜孜探索流行音乐与当代音乐。
2024年4月，皮埃尔·冯特奈尔推出了首张“美国味专辑”——这是他与比利时奥克萨利斯室内乐团合作录制的，曲目收录了阿隆·科普兰和约翰·亚当斯的作品，由比利时Passacaille厂牌发行。2025年1月，比利时Cypres厂牌还发行了他的首张独奏专辑《根》，意在向美国当代音乐致敬。
皮埃尔·冯特奈尔最初在家乡西雅图自学大提琴，此后就读卢森堡音乐学院、比利时纳慕尔皇家高等音乐与教育学院（师从埃里克·查尔顿）、比利时蒙斯音乐学院（师从尹韩彬，专攻苏联作品），最后在巴黎雅罗斯基音乐学院深造（师从安妮·盖斯蒂内尔）。目前他在其母校比利时纳慕尔皇家高等音乐与教育学院任教。
皮埃尔·冯特奈尔的演奏用琴分别是鲁杰利于1690年制作、以及尼古拉斯-弗朗索斯·维劳姆于1860年制作的大提琴，由比利时博杜安国王基金会以私人名义出面借予，这要感谢莱昂·考丁-马塞尔·布歇基金的资助以及“弦乐人才”项目的运作。皮埃尔·冯特奈尔是维维耶圣母院修道院（位于比利时马尔什莱达姆斯镇）“圣母系列音乐会”的创始人和艺术总监。他还酷爱阅读和写诗。
Pierre Fontenelle
« No doubt, Pierre Fontenelle is cut from the same cloth as the greats: those who let nothing stand in their way, and never look down upon others’ talent, background, or musical perspective. » (Musiq’3)
Belgian-American cellist Pierre Fontenelle is a young rising star of the Belgian classical music scene, known for his audacious projects and versatile and consummate musicality.
Cello-soloist of the Opéra Royal de Wallonie-Liège until 2022, he has performed in several prestigious venues and festivals in Belgium and abroad (Flagey, Chapelle Reine Élisabeth, la Seine Musicale, Taipei National Concert Hall, Shanghaï Oriental Art Center, Festivals de Wallonie…) and has been invited as a soloist by various orchestras (Orchestre Philharmonique Royal de Liège, Brussels Philharmonic Orchestra, Ensemble Appassionato, Musique Militaire Grand-Ducale, Casco Phil, Musiques Nouvelles...).
1st Prize of the 2022 Breughel Competition, he also won the Public Prize and the Best Interpretation Prize. In October 2020, he received the 2nd Prize “Van Hecke” at the 1st BCS International Cello Competition and won the First Prize and the Feldbusch Prize at the Concours International Edmond Baert (2019).
Highlights of the 24/25 concert season include the release of his solo album Roots in January 2025, on Cypres, paying tribute to contemporary American contemporary music, performances of concertos by Schumann, Haydn, Tchaikovsky, Gulda, the premieres of two concertos by Belgian composer Apolline Jesupret as well as French composer Jean-François Jung and an artist residency with pianist Ninon Hannecart-Ségal at the Bibliothèque La Grange-Fleuret in Paris.
From 2019 to 2022, he had the pleasure of joining the Opéra Royal de Wallonie-Liège as cello-soloist, becoming the youngest tenured musician of the orchestra. He has also appeared as guest first cellist of the Orchestre National de Bordeaux-Aquitaine, the Orchestre Philharmonique Royal de Liège, and the Belgian National Orchestra. He collaborates with artists such as Jodie Devos, Gergely Madaras, Christophe Rousset, Philippe Graffin, Jean-Claude Vanden Eyden, Gwendoline Blondeel and Mathieu Herzog. Committed to all the various aspects of being a musician, classical or otherwise, Pierre composes and explores popular and contemporary music with his cello-accordion Duo Kiasma with accordionist Frin Wolter (1st Prize - Accordé’Opale Competition).
After his first “American Album” (works by Aaron Copland and John Adams) with Oxalys, released in April 2024 on Passacaille Records, Pierre released his first solo album “Roots”, in January 2025, on Cypres, paying tribute to contemporary American contemporary music.
He initially took up the cello as an autodidact in his hometown of Seattle before studying traditionally at the Conservatoire de Luxembourg, the IMEP (Namur) with Éric Chardon, specialising in Soviet music with Han Bin Yoon at the Mons Conservatory and finally in Paris with Anne Gastinel at the Académie Jaroussky. He currently teaches in Namur at his alma mater, the IMEP.
Pierre performs on a private loan of a 1690 Ruggieri cello, as well as a Nicolas-François Vuillaume cello from 1860, instrument made available by the King Baudouin Foundation thanks to the Léon Courtin-Marcelle Bouché’s Fund's gift and managed by Strings For Talent. Pierre is founder and artistic director of the Concerts des Dames at the Abbaye Notre-Dame du Vivier (Marche-les-Dames). He’s found great pleasure in reading and writing poetry.